The Nest was born when Massey, a CalArts alum, was commissioned by curator Michael Worthington to design and print a poster for the Inside Out & Upside Down exhibition. Due to the outbreak of COVID-19, the exhibition at the Redcat in Los Angeles, CA had been postponed. With the world still in the throes of the global pandemic, this was seen as a time to dig deeper, to reflect on what makes each of us unique and what inspires our lives. At the heart of The Nest is an interest in the way form-making can be influenced by not just the circumstances of the present moment, but just as much by history—from the Bauhaus to Swiss Modernism to the variants of Postmodernism that stemmed from CalArtsand Cranbrook.

Using elements that represent the history and range of the storied CalArts poster archive, this project is an exploration of aesthetic strategies brought to life by blending both digital and analog processes. Layer by layer, step by step, The Nest closely examines each phase of designing those 200 posters. It is a celebration of process and a deep dive into the ever-evolving design values that guide one along the creative process. The Nest is full of personal narratives, conversations about process, the always difficult journey of making, and how memories can guide and inspire. Through interviews, essays, and conversations among designers, The Nestlooks to illuminate what it truly takes to start something and to keep going no matter the resistance, until you find your way out.